Vincent Grange


Dorothy’s Office - Basel (2026)
entre 10 et 1000 bornes (2026)
The Madwomen of Chaillot (2025)
_hey wan_ _o break free (2025)
The House of Dorothy - Milano (2025)
Il Gioco dell’Oca di Dorothy (2025)
Dorothy’s Interior Boulevard (2025)
Dorothy’s Closet - Ljubljana
(2024)
Dorothy’s Picnic Set (2024)
Dorothy’s Closet - Carouge (2024)
Dorothy’s Closet - Basel (2024)
La voisine qui en savait trop (2024)
The House of Dorothy - Carouge (2024) 
Entre 70 et 75 degrés (2024)

The House of Dorothy - Geneva (2023)

Bonnie (2023)

First Encounter (2022)

Maison Sauvage (2022)

KETA1000 (2021)

L’Allégorie de la Caverne (2021)


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Upcoming exhibition:
08.07.2026: Not So Romantic (Zürich, CH)

The House of Dorothy book published by Mousse Publishing will launch in September 2026 - more info coming soon.

© Vincent Grange (2026)


Dorothy’s Office (2026) - Basel Social Club (ArtBasel 2026)

Galerie Fabian Lang 



Introducing oneself as a “Friend of Dorothy” has been one of the many secret codes used by the LGBTQIA+ community to discreetly share one’s sexual orientation and/or gender identity in times of segregation. In 1981, when it was still illegal to be gay in the U.S. military, the Naval Investigative Service (NIS) in Chicago heard about this expression being used among servicemen and launched an investigation to identify and apprehend “Dorothy,” believing her to be a real person at the center of a vast homosexual network. The authorities hoped that finding Dorothy would allow them to uncover the names of all her gay friends.

Dorothy’s Office is a room extracted from The House of Dorothy (2023–2026), an ongoing immersive installation imagining the secret home of the community’s fictional best friend. Through a series of interconnected rooms, the project pays homage to queer spaces, histories, and strategies of survival from around the world. Taking the form of a surreal surveillance office, this chapter explores the mechanisms of observation, identification, and categorization that have historically been used to police queer lives. Cameras monitor the outside world, a filing cabinet contains the traces of the investigation, and everyday objects are subtly transformed, blurring the boundaries between domesticity and control. Playing with the paradoxes of visibility and concealment, the office questions who watches whom, and what it means to live under the constant awareness of being seen.



Special thanks to:
Basel Social Club
Geraldine Belmont
Fabian Lang
Anita Pezzolesi
Maude Renevier
Collectif Kimera

Installation views Basel Social Club - Courtesy of the artist and Galerie Fabian Lang